- This page
is dedicated to all of you Rotary Connection fans out there. and I know
there are many. On behalf of the members of Rotary Connection, I thank you
for enjoying our music through the years. Rotary Connection was conceived
by Marshall Chess, who brought in Charles Stepney as the musical arranger,
and then hand-picked certain individuals to be members of the group. Among
them, the late, great Minnie Riperton and I were chosen as co-lead
vocalists. The band recorded five classic albums, and appeared in concert
with some of the biggest acts in Rock history, before their break-up in
early 1970.
For those of you
who have any questions or comments about the band and its members, please
feel free to use this page and I will respond to all. So, again, thank you
for being fans and I hope that you continue to enjoy and support all good
music.
In 1969
Rotary Connection appeared in concert with several huge Rock acts at the
Texas International Pop Festival attended by over 60,000 people. The acts
included Janis Joplin, Led Zeppelin, Chicago, B. B. King and others a true
Hippie event. More info on the Texas Pop Festival can be found here..
- Rotary
Connection CD's are currently being sold on the Internet at Amazon.com
Biography
by Andy Kellman
Rotary Connection's psychedelic
chamber soul continues to sound ambitious and progressive decades after
the group's departure. Instantly recognizable from the dramatic string
arrangements of Charles
Stepney and the five-octave voice of Minnie
Riperton, the group released six albums between 1967 and 1971 that
combined rock, soul, and psychedelia to theatrical and occasionally
transcendental heights. The racially mixed group never really broke out of
the Midwest, a region in which they frequently played out. Their failure
to become more than a regional cult act can be partly attributed to their
management's decision to spurn a slot at Woodstock in order to play a more
lucrative festival in Toronto. Despite some patchy albums and poor
management decisions, Rotary
Connection's status as an influential cult group has steadily risen
since the '70s.
Marshall
Chess, son of Leonard
Chess, conceived Rotary
Connection in 1967 for Cadet Concept -- an upstart subsidiary of his
father's Chess label. Chess initially centred the instrumentalists around a trio of musicians from a
rock group called the Proper Strangers: drummer Kenny
Venegas, bassist Mitch
Aliotta, and guitarist Bobby Simms. Sidney
Barnes, Minnie Riperton, and Judy Hauf were added as the vocalists. Upon the group's formation, Barnes was
already something of a vagabond; his resume as a songwriter, background
vocalist, and solo artist was extensive. Riperton was a
veteran of the Chess ranks; she worked as a receptionist in the label's Chicago office, had
been a member of the Gems, and released material under the name Angela Davis. Chess musical
supervisor Charles
Stepney -- a legendary composer, arranger, and producer -- was brought
in to direct the group. He would also implement the skills of studio
musicians from the extended Chess family
throughout the group's existence, such as drummer Morris
Jennings and guitarists Phil Upchurch, Bobby
Christian, and Pete Cosey.
Under Stepney's
guidance, Rotary
Connection recorded and released their self-titled debut album in late
1967. The group's spacious sound was leavened by Stepney's
often gorgeous and lilting string arrangements. The album featured both
originals (co-written by Stepney and a
number of other songwriters, including Barnes and
future Riperton spouse Richard Rudolph) and radical covers of the
Rolling Stones' "Ruby Tuesday" and Bob Dylan's
"Like a Rolling Stone." This became the blueprint for what would follow
from the group and, as a stunning (if flawed) debut, the album falls into
that old rock trap of being viewed as the only essential one the group
made. That's an unfortunate fact, because the group's key factor -- the
voice of Minnie Riperton -- wasn't truly given a chance to shine until the
second album.
The albums Aladdin, Peace (a
Christmas-themed LP), Songs, Dinner Music, and Hey Love were
issued between 1968 and 1971. Though the albums include a fair amount of
filler, each has some amazingly inspired moments. "Respect," for instance,
was a radical reworking of Otis Redding's
original; transformed into a duet between Riperton and Barnes, the
song's infamous "r-e-s-p-e-c-t" call-out was left out, and the tempo was
slowed down to a sultry crawl. Hey Love,
bizarrely credited to the New Rotary Connection, would become the group's last record. By
that time, Riperton already had a solo masterpiece under her belt -- 1970s Come to
My Garden. After the group split, Riperton continued her solo career and became one of the most beloved soul
vocalists of the '70s. Breast cancer took her life in 1979, when she was
just 31-years-old. Stepney passed away three years prior, at the age of 43.
Discography
Sampled Songs
Rotary Connection:
(Cadet 1967)
* "Memory Band"
A Tribe Called Quest - "Bonita Applebaum"
Fugees - "Killing Me Softly"
InI - "Life I Live"
Aladdin: (Cadet 1968)
* "Life Could"
DJ Shadow - "Midnight in a Perfect World"
Eric B and Rakim - "Rest Assured"
Lifer's Group - "Real Deal"
Paris - "Make Way for the Panther"
Sixtoo - "Anger"
The Mighty Underdogs - "U.F.C."
Sampled
Sampled Music
Peace: (Cadet 1968)
* "Christmas Child"
Compton's Most Wanted - "Compton 4 Life"
Songs: (Cadet 1969)
* "Respect"
Souls of Mischief - "A Name I Call Myself"
* "Burning the Midnight Lamp"
Jay-Z - "Hova Song"
Jigmastas - "Hip Hop"
Dinner Music: (Cadet Concept 1970)
* "Quartet"
Micranots - "Intro"
Hey Love: (Cadet Concept 1971)
* "I am the Blackgold of the Sun"
Nuyorican Soul - "I am the Black Gold of the Sun"
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